Book fragments

”Yes, clothes talk! Often, they say more than we want to show! They are voluntary or involuntary expressions of our emotions, intentions, interests, but also useful tools when they are at the fingertips of those who understand their importance, the major role in conscious communication of what the unconscious wants to withhold.”

”I don’t teach you what to wear and what not to wear, but I tell you what you are passing through clothing and how you can use it. If you just want to look great, in these pages you will not find solutions. If you want to feel great, then this book is exactly what you need! And I guarantee that if you feel wonderful, you will look great!”

”We choose clothes, and our choice reflects our mood, desires and intentions, but also our personality traits. The color is an external factor turned into a subjective state that influences or nourishes our emotional sphere, with visible effects on our intentions, our conduct, our actions and relationships. When we open the closet and choose a dressing item, the first unconscious selection criterion is the color, because it has to be in line with what we feel or express what we want to feel.”

”Starting from these psychosocial attributes of clothing, we established a causal relationship between self-identity and clothing style, defining psychologically six styles, namely classic, romantic, natural, dramatic, creative, elegant. Each clothing style reflects the way in which the states of the self-image are crystallized, how the self-identity is formed, and so the classical style is characteristic of the person with a well-crystallized self-image, where the Cognitive Ego dominates, but also the Spiritual Ego and the Emotional Ego; the romantic style is characteristic of a woman who likes to show affection, to use her emotions; the natural style is the style of the self-centered person who does not take as reference the opinions of those around him/her, who does not govern his/her life according to the expectations of others but is not in opposition to them; the dramatic style characterizes the person trying to get out of the box, but not in a creative, innovative way, but by exaggerating the "normal"; the creative style involves a struggle with the patterns, but by breaking them, it differs from the dramatic style by canceling the normal, not by exaggerating it, but by novelty; the elegant style is also a style of exaggeration, but not in the sense of getting out of box but by placing oneself to the limit.”

”Social attractiveness is sought at any age, but the indicators are different, and how the person can adapt, operationalize these indicators, depends on self-efficiency, self-confidence, personal, relational, professional and social success. Someone who forsakes being attractive, when (s)he forgets to stand out, to show her/his value, gives up his/her essence, what defines him/her, his/her human and social side. So for us and for others, we have a duty to be attractive, socially, to be accepted or at least not to be rejected.”

”I dare you! Look at the contents of this book critically! Don’t trust blindly everything in it! Say: “I don’t believe. I need to see by myself!” And put into practice, check as much of the information you find between the covers of this book. I guarantee the scientific content of the information, but your critical spirit would guarantee their learning, understanding and application, and the gain would be on both sides: mine because my work is worthwhile, yours, because you manage to stand out, the way you really deserve.”